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Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)
Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ...
Hatıra Ahmedli Cafer’in Bestelediği “Hocalı” Senfonik Şiiri’nin Müzikal Karakter Yönünden Orkestral İncelemesi
(Güzel Sanatlar Enstitüsü, 2020-02-13)
This study focuses on contemporary composer Ahmedli Cafer's Hocalı Symphonic Poem's examination of symbolist and musical aspect that help orchestral interpretation. Based on the descriptive research and screening method, ...