• ALFRED SCHNITTKE’NİN “VİYOLA VE ORKESTRA İÇİN KONÇERTO” ADLI ESERİNİN BESTECİLİK TEKNİKLERİ AÇISINDAN İNCELENMESİ 

  Alizade, Ali (Güzel Sanatlar Enstitüsü, 2017-08-05)

  Analysis of Alfred Schnittke’s “Concerto for Viola and Orchestra” in Terms of Composition Techniques

• KARLHEINZ STOCKHAUSEN’IN ‘’SIGNALE ZUR INVASION’’ ESERİNİN İCRA PRATİĞİ AÇISINDAN ANALİZİ 

  GÜNGÖR, CEM (Güzel Sanatlar Enstitüsü, 2017)

  The purpose of this work is to analyse "Signale zur Invasion’’, a section written for solo trombone and electronics in the "Licht" opera describing the seven days of the week, composed by one of the most important and ...

• Avni Anıl Bestelerinin Mûsıki Unsurları Açısından İncelenmesi 

  Ulusoy, Nihan (Güzel Sanatlar Enstitüsü, 2017)

  The purpose of this study is to share with musical circles the results of Avni ANIL’s compositions that are among the most played of Classical Turkish Music. Furthermore, to rewrite the composer’s life story and artistic ...

• İgor Stravinski’nin Petruşka Balesinin Orkestra Süiti İle Solo Piyano Uyarlamasının Karşılaştrılması 

  Turan, Evrim (Güzel Sanatlar Enstitüsü, 2017)

  Igor Stravinsky became one of the most important composers who shaped the twentieth century music with his extraordinary techniques, harmonic and rhythmic innovations that he used in his works. In each period of his music ...

• LUDWIG VAN BEETHOVEN’IN OP.5 NO.1, NO.2 FORTEPİANO VE VİYOLONSEL İÇİN YAZILMIŞ SONATLARININ ARMONİ, FORM VE TARİHSEL AÇIDAN İNCELENMESİ 

  ÇAYLI, DAMLA (Güzel Sanatlar Enstitüsü, 2017)

  In this study, Op.5 No.1, No.2 for fortepiano and Violoncello sonatas composed by the famous German composer of the classical period Ludwig van Beethoven is analyzed from a point of view of form, tonality, harmony ...

• Müzik ve Bale Ortaokulları Müzik Bölümü 5. Sınıf Solfej - Dikte - Teori Dersi için Öğretim Programı Önerisi 

  Eyüboğlu, Yiğit Can (Güzel Sanatlar Enstitüsü, 2017-07)

  EYÜBOĞLU, Yiğit Can. A Curriculum (Teaching Program) Proposal For Solfege – Dictation – Theory Course In Department Of Music At Department Of Secondary School Of Music, Master’s Thesis, Ankara, 2017. In this study, ...

• Tarihsel Süreç İçerisinde Bando ve Orkestralarda Klarnetin Yeri ve Önemi 

  Erdoğan, Sercan (Güzel Sanatlar Enstitüsü, 2017)

  In this study, at first, the importance of instruments in the musical dimension of music has been mentioned. And the wooden-blown instruments are mentioned in this vocabulary, from the work done in the field of musicology. ...

• TROMBON AĞIZLIĞI ÇERÇEVESİNİN TROMBON ÇALIMINA ETKİSİ 

  DEMİRCİ, emre (Güzel Sanatlar Enstitüsü, 2017-06-06)

  Trombone; a brass instrument used in many different music varities, is played by a mouthpiece that is chosen by the physical quality of each person. As a result of devoloping experience within long years of playing inthe ...

• Postmodernizm ve Postbop Koşutluğu Üzerine 

  Yüce, Onur Ali (Sosyal Bilimler Enstitüsü, 2017)

  This study is focused on jazz music that was made between 1955-1980, known as “the postbop era” and its similarities with postmodernism. The research is made through the investigation of twenty-one recordings made by ...

• Fagot Kamışı Yapımında Kullanılan Kargı Malzemesi Islanma Sürecinin Çalıma Etkisi 

  Üzülmez, Hüseyin Onur (Güzel Sanatlar Enstitüsü, 2016-12-20)

  Today, double reed is needed in order to gain sound from the four-pieced bassoon, which is generally constructed from a maple tree. Created by folding in equal size and dimensions, the bassoon reed is constructed by cane ...

• Alexander Konstantinovich Glazunov’un Yaşamı ve Opus 82 La Minör Keman Konçertosu’nun İncelenmesi 

  Karakaya, Anıl Arda (Güzel Sanatlar Enstitüsü, 2015)

  Alexander Konstantinovich Glazunov, who was born in St. Petersburg on 10 August 1865, is one of the last representatives of Russian romantic music. He followed in the footsteps of his tutor Rimski-Korsakov and by staying ...

• Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri 

  Ekber, Kerem (Sosyal Bilimler Enstitüsü, 2014)

  Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ...

• Sergei Prokofiev'ın (Do Majör Op. 119) Viyolonsel Sonatının Form ve Viyolonsel Tekniği Açısından İncelenmesi 

  Rustaii, Firuze (Sosyal Bilimler Enstitüsü, 2013)

  Sergei Prokofiev is one of the great composers of the 20th century and his music reflects full of energy, creative spirit, coherent and joy of life. The strict adherence to the composer's musical traditions and his creativity ...

• Bela Bartok'un Keman Eserleri Birinci Keman Konçertosunun Müzik ve Çalma Tekniği Yönünden İncelenmesi 

  Tamer, Faruk (Sosyal Bilimler Enstitüsü, 2012)

  The report examines the life of Béla Bartók, one of the major composers of the twentieth century, and his first violin concerto in terms of music and playing techniques. After a brief statement of the composer‟s life story ...

• Bakır Üflemeli Çalgılarda Odaklanma ve Konsantrasyon Tekniklerinin İncelenmesi 

  Parlar, Mert Can (Sosyal Bilimler Enstitüsü, 2014)

  When thinking in terms of meanings assigned to classical music at 21th century under social values and musicians endeavors of existence in the musical world, the "stage" which is deviated from its purpose at some points, ...

• Konservatuvar Ortaokul Devresine Yeni Başlayan Flüt Öğrencileri İçin Etkili Öğrenme ve Çalışma Yöntemleri 

  Ceyhan, Şafak (Sosyal Bilimler Enstitüsü, 2014)

  This study is based on the students who have newly begun their studies at flute department at middle school level in conservatories. In the Republic of Turkey, flute education is not officially provided at the middle school ...

• Memet Baydur Tiyatrosunda Yaşam-Oyun İlişkisinin İrdelenmesi ve Bir Eserinde Reji Uygulaması 

  Buzcu, Hasan İrfan (Sosyal Bilimler Enstitüsü, 2014)

  Memet Baydur was one of the most productive playwrights of the 20th century Turkish Theater. Not only living in many different countries for several years, but also closely following the societal and historical changes in ...

• Pyotr Ilyiç Çaykovski'nin 'Mevsimler' Adlı Eserinin İncelenmesi 

  Kün, Deniz (Güzel Sanatlar Enstitüsü, 2014)

  Being a distinctive representative of Romantic Russian Music in the second half of the 19th century, Peter Ilyich Tchaikovsky, has gained significance as a composer with his symphonies, concertos and ballets during his ...

• Jan Pieterszoon Sweelinck´ın Toccata´larının Klasik Gitar İle İcra Edilebilmesi Üzerine Bir Araştırma 

  Dal, Kerim Özcan (Güzel Sanatlar Enstitüsü, 2014)

  The aim of this work is to perform toccatas written for organ by the Renaissanceperiod composer Jan Pieterszoon Sweelinck.In the first part, there will be definitions and well-substantiated explanations tocast more light ...

• César Franck'ın "Prelüd, Koral ve Füg" Eserinin İncelenmesi 

  Gençgönül, Begümhan (Güzel Sanatlar Enstitüsü, 2015)

  César Franck was one of the greatest names of the French Music and also most skilled organ player in the second half of the 19. Century, thus he is one of the most interesting composers of his time considering his insight ...

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