• ANKARA DEVLET KONSERVATUVARI DERLEME KAYITLARINDA YER ALAN ERZURUM YÖRESİ HALK EZGİLERİNDE RİTİM SAZLARIN İCRA ETTİĞİ KALIPLARIN İNCELENMESİ 

  Özkızıltaş, Cemal (Güzel Sanatlar Enstitüsü, 2020-04-17)

  For the Ankara State Conservatory folklore archive, many collections were done in 1937-1954 years from cities, towns and villages. The most popular collectors, composers and technicians were included to collection studies ...

• DİMİTRİ ŞOSTAKOVİÇ'İN OP. 87 PRELÜD ve FÜGLER ESERİNE GENEL BAKIŞ VE DÖRT FÜGÜN İNCELENMESİ 

  Ertürk, Melis (Güzel Sanatlar Enstitüsü, 2018-04-09)

  In this research, in which Dmitri Shostakovich's Op. 87 Preludes and Fugues named work has been reviewed in general, Shostakovich's life, social and political importance of his period and general features of prelude - fugue ...

• Saygun'un Müziğinde Modalitenin Yeri ve Önemine Bir Bakış: 1. ve 4. Senfonilerinin Modal Açıdan İncelenmesi 

  Özbayrak, Orhan Veli (Güzel Sanatlar Enstitüsü, 2018-02)

  The main aim of this study is to explore the modal understanding of Adnan Saygun (1907-1991) within his 1st and 4th Symphonies. The reason why these two works were chosen, which belong to the different creativity periods ...

• Paul Hindemith'in Hayatı ve Op.9 No'lu Kontrabas Sonatının İncelenmesi 

  Şen, Evren (Güzel Sanatlar Enstitüsü, 2018)

  Paul Hindemith, who is one of the most important composers of 20th century music, is a worldwide composer. He applied his own system by making innovations in harmony and tonality system. He has innovated his harmony and ...

• Sergeı Rachmanınoff’un Op.18 İkinci Piyano Konçertosu’nun İncelenmesi 

  Adiloğlu, Tuğrul (Güzel Sanatlar Enstitüsü, 2017-09)

  In this study, the creation and production process of Sergei Rachmaninoff’s Op. 18 Second Piano Concerto has been analyzed and its parts have been examined one by one to achieve a clearer and deeper understanding of the ...

• Gıuseppe Verdı’nin Otello Operasındaki Desdemona Karakterinin İncelenmesi 

  Yazıksız, Funda (Güzel Sanatlar Enstitüsü, 2017-09-15)

  In this study besides studying the creative period of G. Verdi, one of the most important composers of the art of opera, his “Othello” composed in his last creative period has been analyzed. Desdemona, one of the main ...

• Alfred Schnıttke’nin “Viyola ve Orkestra İçin Konçerto” Adlı Eserinin Bestecilik Teknikleri Açısından İncelenmesi 

  Alizade, Ali (Güzel Sanatlar Enstitüsü, 2017-08-05)

  Analysis of Alfred Schnittke’s “Concerto for Viola and Orchestra” in Terms of Composition Techniques

• Karlheinz Stockhausen’in ‘’Signale Zur Invasion’’ Eserinin İcra Pratiği Açısından Analizi 

  Güngör, Cem (Güzel Sanatlar Enstitüsü, 2017)

  The purpose of this work is to analyse "Signale zur Invasion’’, a section written for solo trombone and electronics in the "Licht" opera describing the seven days of the week, composed by one of the most important and ...

• Avni Anıl Bestelerinin Mûsıki Unsurları Açısından İncelenmesi 

  Ulusoy, Nihan (Güzel Sanatlar Enstitüsü, 2017)

  The purpose of this study is to share with musical circles the results of Avni ANIL’s compositions that are among the most played of Classical Turkish Music. Furthermore, to rewrite the composer’s life story and artistic ...

• İgor Stravinski’nin Petruşka Balesinin Orkestra Süiti İle Solo Piyano Uyarlamasının Karşılaştrılması 

  Turan, Evrim (Güzel Sanatlar Enstitüsü, 2017)

  Igor Stravinsky became one of the most important composers who shaped the twentieth century music with his extraordinary techniques, harmonic and rhythmic innovations that he used in his works. In each period of his music ...

• Ludwig Van Beethoven’in Op.5 No.1, No.2 Fortepiano ve Viyolonsel için Yazılmış Sonatlarının Armoni, Form ve Tarihsel Açıdan İncelenmesi 

  Çaylı, Damla (Güzel Sanatlar Enstitüsü, 2017)

  In this study, Op.5 No.1, No.2 for fortepiano and Violoncello sonatas composed by the famous German composer of the classical period Ludwig van Beethoven is analyzed from a point of view of form, tonality, harmony ...

• Müzik ve Bale Ortaokulları Müzik Bölümü 5. Sınıf Solfej - Dikte - Teori Dersi için Öğretim Programı Önerisi 

  Eyüboğlu, Yiğit Can (Güzel Sanatlar Enstitüsü, 2017-07)

  EYÜBOĞLU, Yiğit Can. A Curriculum (Teaching Program) Proposal For Solfege – Dictation – Theory Course In Department Of Music At Department Of Secondary School Of Music, Master’s Thesis, Ankara, 2017. In this study, ...

• Tarihsel Süreç İçerisinde Bando ve Orkestralarda Klarnetin Yeri ve Önemi 

  Erdoğan, Sercan (Güzel Sanatlar Enstitüsü, 2017)

  In this study, at first, the importance of instruments in the musical dimension of music has been mentioned. And the wooden-blown instruments are mentioned in this vocabulary, from the work done in the field of musicology. ...

• Trombon Ağızlığı Çerçevesinin Trombon Çalımına Etkisi 

  Demirci, Emre (Güzel Sanatlar Enstitüsü, 2017-06-06)

  Trombone; a brass instrument used in many different music varities, is played by a mouthpiece that is chosen by the physical quality of each person. As a result of devoloping experience within long years of playing inthe ...

• Postmodernizm ve Postbop Koşutluğu Üzerine 

  Yüce, Onur Ali (Sosyal Bilimler Enstitüsü, 2017)

  This study is focused on jazz music that was made between 1955-1980, known as “the postbop era” and its similarities with postmodernism. The research is made through the investigation of twenty-one recordings made by ...

• Fagot Kamışı Yapımında Kullanılan Kargı Malzemesi Islanma Sürecinin Çalıma Etkisi 

  Üzülmez, Hüseyin Onur (Güzel Sanatlar Enstitüsü, 2016-12-20)

  Today, double reed is needed in order to gain sound from the four-pieced bassoon, which is generally constructed from a maple tree. Created by folding in equal size and dimensions, the bassoon reed is constructed by cane ...

• Alexander Konstantinovich Glazunov’un Yaşamı ve Opus 82 La Minör Keman Konçertosu’nun İncelenmesi 

  Karakaya, Anıl Arda (Güzel Sanatlar Enstitüsü, 2015)

  Alexander Konstantinovich Glazunov, who was born in St. Petersburg on 10 August 1865, is one of the last representatives of Russian romantic music. He followed in the footsteps of his tutor Rimski-Korsakov and by staying ...

• Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri 

  Ekber, Kerem (Sosyal Bilimler Enstitüsü, 2014)

  Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ...

• Sergei Prokofiev'ın (Do Majör Op. 119) Viyolonsel Sonatının Form ve Viyolonsel Tekniği Açısından İncelenmesi 

  Rustaii, Firuze (Sosyal Bilimler Enstitüsü, 2013)

  Sergei Prokofiev is one of the great composers of the 20th century and his music reflects full of energy, creative spirit, coherent and joy of life. The strict adherence to the composer's musical traditions and his creativity ...

• Bela Bartok'un Keman Eserleri Birinci Keman Konçertosunun Müzik ve Çalma Tekniği Yönünden İncelenmesi 

  Tamer, Faruk (Sosyal Bilimler Enstitüsü, 2012)

  The report examines the life of Béla Bartók, one of the major composers of the twentieth century, and his first violin concerto in terms of music and playing techniques. After a brief statement of the composer‟s life story ...

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