Recent Submissions

  • Postmodernizm ve Postbop Koşutluğu Üzerine 

    Yüce, Onur Ali (Sosyal Bilimler Enstitüsü, 2017)
    This study is focused on jazz music that was made between 1955-1980, known as “the postbop era” and its similarities with postmodernism. The research is made through the investigation of twenty-one recordings made by ...
  • Beethoven'ın Erken Dönem Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi 

    Çaylı, Ferhat (Sosyal Bilimler Enstitüsü, 2014)
    This study is an analytical examination of the thematic structure of Development sections of first movements of Ludwig van Beethoven s early piano sonatas. In the Introduction; general structure of the Sonata form, general ...
  • Ulusal Marşların Söz ve Müzik Açısından İncelenmesi 

    Köşker, Merve (Sosyal Bilimler Enstitüsü, 2014)
    In this study; the words and music of the national marches of 193 countries listed in the United Nations, including the Vatican and Palestine, which are also recognized by the UN, have been examined. Also, information has ...
  • Bartok Sonat-Allegro'Larında Altın Oarn 

    Özçifci, Serkan (Sosyal Bilimler Enstitüsü, 2013)
    In this study, the Golden Section is investigated in Béla Bartók s five movements displaying the sonata-allegro form.In the Introduction, the Golden Section is defined and its use in various art forms is exemplified. ...
  • Cazda Akor Yürüyüşleri Tarihi 

    Küçükarslan, Murat (Sosyal Bilimler Enstitüsü, 2013)
    In this study, jazz chord progressions have been examined from a historical perspective; and the changes in jazz chord progressions which are in between early jazz and free jazz have been covered. Chord progressions, which ...
  • Bartok'un Iki Piyano ve Vurmalılar İçin Sonat'ının İkinci Muvmanında Fibonacci Sayıları 

    Demireriden, Gözde Gürün (Sosyal Bilimler Enstitüsü, 2013)
    In this study, on the basis of the studies revealed by Ernö Lendvai, an original analysis has been conducted on the second movement - Lento ma non troppo of Sonata for Two Pianos and Percussion, Sz. 110 by Béla Bartók, in ...