Anadolu Selçuklu Çinilerindeki Kanatlı Figür Betimlemelerinin Seramik Form ve Yüzeylerde Yorumları
Kurt Kırtay, Koza
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‘’The Descriptions of Winged Figure in Anatolian Seljuk’s Tiles and Comments on Ceramic Surface ‘’ consist of 4 main part. ‘’Anatolian Seljuk Period Tile Art and Being Used Figures of Ornament‘’ titled in the first part; Acceptance of Islam and Seljuks artistic perspective who lived on Anatolian are handled. With the passing a permanent life, being attached to its architectural; tile art and being used figures of ornament which are floral motifs, human figures, depictions of legendary presences and animal figures are determined and given point to composotions way of processing, technics and symboli meanings that they are in together and as solo. ‘’Animal Style and of Winged Figures in Anatolian Seljuk’s Tiles‘’ titled in the second part in Anatolian Seljuks, Middle Asia Animal Style was examined on 2 main headline as bird and legendary winged that take part into tiles. With the cultural interactions that come past and symbolic phrases in Seljucks, Before Islam’s and after Islam’s symbolic linkages are presented and confronted with. ‘’Artist who comment today Seljuck Tile Art and Works‘’ titled in third part; They are ranked that Artists themselves and their Works. ‘’Personal comments and Practices‘’ titled in fourth and last part; As a result of investigations having been obtained findings and having been examined winged figures with done ceramic studies that pertain to their symbolic simulacrums and reflecting effects is completed by processing of their creation and commenting of studies. Key words; Anatolian Seljuks, tile, winged figüre, bird, legendary animals.