• Türkçe
    • English
  • English 
    • Türkçe
    • English
  • Login
View Item 
  •   DSpace Home
  • İletişim Fakültesi
  • İletişim Bilimleri Bölümü
  • İletişim Bilimleri Bölümü Tez Koleksiyonu
  • View Item
  •   DSpace Home
  • İletişim Fakültesi
  • İletişim Bilimleri Bölümü
  • İletişim Bilimleri Bölümü Tez Koleksiyonu
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Türkiye'de Postfeminist Kültürün İzini Sürmek: "Çıtır" Kadın Filmlerinin Genç Kadınlar Tarafından Alımlanması

View/Open
Sena Meşe Yüksek Lisans Tezi (3.033Mb)
Date
2022
Author
Meşe, Sena
xmlui.dri2xhtml.METS-1.0.item-emb
Acik erisim
xmlui.mirage2.itemSummaryView.MetaData
Show full item record
Abstract
This study analyzes young women’s reception of 2000s prominent chick flicks, Legally Blonde (2001, Robert Luketic) and The Devil Wears Prada (2006, David Frankel) in Turkey. Although these films came out 21 and 16 years ago, respectively, they are still being discussed within the framework of gender today. Chick flicks have often been labeled as “postfeminist” and criticized. Even though postfeminist culture has been prevalent in Turkey for a long time, the reception of Hollywood films labeled as postfeminist and its relation to the contextual discourses on feminism in Turkey has not been examined. This reception study utilizes ethnographic methods and technics and has young women as its research subjects by reason of the fact that young women are frequently labeled as the ideal subjects of postfeminist sensibility. Semi-structured, in- depth interviews have been conducted with 14 participants, 7 of whom define themselves as feminists and 7 of whom do not define themselves as feminists. The reception of films is examined with a focus on contextual discourses on feminism. The interviews indicate that both the women who define themselves as feminists and the women who do not define themselves as feminists refer to the circulating contextual discourses on feminism. As can be expected, the participants who define themselves as feminists have mostly resonated with feminist discourse, while the participants who do not define themselves as feminists have mostly resonated with antifeminist and postfeminist discourses when they talk about feminism. However, there have been moments when this has changed during the interpretation of the films, which has led to discussions on gender issues. The participants have questioned women's place and role in society, career, relationships, and normative beauty standards. While the participants sometimes challenged the traditional gender roles, other times they reproduced them.
URI
http://hdl.handle.net/11655/26441
xmlui.mirage2.itemSummaryView.Collections
  • İletişim Bilimleri Bölümü Tez Koleksiyonu [84]
xmlui.dri2xhtml.METS-1.0.item-citation
Meşe, S. (2022). Türkiye'de Postfeminist Kültürün İzini Sürmek: "Çıtır" Kadın Filmlerinin Genç Kadınlar Tarafından Alımlanması (Yüksek Lisans Tezi, Hacettepe Üniversitesi).
Hacettepe Üniversitesi Kütüphaneleri
Açık Erişim Birimi
Beytepe Kütüphanesi | Tel: (90 - 312) 297 6585-117 || Sağlık Bilimleri Kütüphanesi | Tel: (90 - 312) 305 1067
Bizi Takip Edebilirsiniz: Facebook | Twitter | Youtube | Instagram
Web sayfası:www.library.hacettepe.edu.tr | E-posta:openaccess@hacettepe.edu.tr
Sayfanın çıktısını almak için lütfen tıklayınız.
Contact Us | Send Feedback



DSpace software copyright © 2002-2016  DuraSpace
Theme by 
Atmire NV
 

 


DSpace@Hacettepe
huk openaire onayı
by OpenAIRE

About HUAES
Open Access PolicyGuidesSubcriptionsContact

livechat

sherpa/romeo

Browse

All of DSpaceCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsTypeDepartmentPublisherLanguageRightsxmlui.ArtifactBrowser.Navigation.browse_indexFundingxmlui.ArtifactBrowser.Navigation.browse_subtypeThis CollectionBy Issue DateAuthorsTitlesSubjectsTypeDepartmentPublisherLanguageRightsxmlui.ArtifactBrowser.Navigation.browse_indexFundingxmlui.ArtifactBrowser.Navigation.browse_subtype

My Account

LoginRegister

Statistics

View Usage Statistics

DSpace software copyright © 2002-2016  DuraSpace
Theme by 
Atmire NV