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Görmez, Hilal. “The New Place of Object’s Art Routed Out in Life. MA Artwork Report, Ankara, 2017. İn daily life, tendency of old objects is likened to desiring that high discourse has. As long as the object’s continue to restructure and be repeated, memories andeffects of them keep going to affect our days and future. For modern people, it is hard to see the past in the light of today. If we transcribe it in art, it is so clear that artist has a tendency to restructure and repeat his memories becaus of his nature. Reappear of cultural object’s is deforming the reality of world. At this deforming, industry object’s have a great role. Multi-opportunities provided by industry comdemned the cultural object’s to modern object’s inevitably. Object’s that were routed out in life have a sensetion. Cultural object’s or the object’s kept in memories continue dependency to people in the way of meaning and language even if they are shuted off from their function. When we say “objects that were routed out in life”, we mention about the meanless usage of daily olject’s which we have today or we used to use frequently in past times or a seeking of emblazoned places to emblazoned object’s by people who are exalting them. İn the fist part of the report, including the cultural object’s to work of art was examined with the artists tended to primitive object’s by inspiring Picasso. İn other words, the artists chose the pure one, the African mask. It were tried to be shown that included of those object’s that were reflecting personel and social memory to work of art. Although memory is not a big point in art, it is a important place to base for an artist. Walking around those places that ar referring to voice, taste, smell and childhood memories and coming across perceptible demonstration of these moments embodied work of art and the arist; literally, ıt was touched to soul of person by work of art. In the second part of the report, the cultural object’s standing for experiences have been take away from the life and this has been analyzed. The object’s routed our in life put the art of work against the changing world reality by perception and beyond the experience. This reality is people, it was aimed that cultural objects were included to work of art by turning to cultural existance and with the object kept on the mind was included to work of art by turning the person existance.