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Browsing İngiliz Dili ve Edebiyatı Bölümü by Type "info:eu-repo/semantics/doctoralThesis"

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    • A Poetics of Contemporary Science Poetry: the Poems of Edwin Morgan, Robert Crawford and David Morley. 

      Sarı, Merve (Sosyal Bilimler Enstitüsü, 2016)
      This thesis aims to form a poetics of contemporary British science poetry based on the poems of Edwin Morgan, Robert Crawford and David Morley whose poems make original use of science and technology abundantly. Although a ...
    • Constructions of New Britishness in Winsome Pinnock’S Talking in Tongues, Mules, Can You Keep a Secret? And One Under 

      Öğünç, Banu (Sosyal Bilimler Enstitüsü, 2016)
      While her early plays classify Winsome Pinnock as a Black British dramatist, she prefers racially ambiguous characters in her second phase plays problematising the representation of blackness as well as whiteness and ...
    • Ecological Interactions: The Sense of Place in E. M. Forster’s Howards End, D. H. Lawrence’s The Rainbow, And Virginia Woolf’s Mrs Dalloway 

      Göçmen, Gülşah (Sosyal Bilimler Enstitüsü, 2017)
      The aim of this dissertation is to examine how E. M. Forster, D. H. Lawrence, and Virginia Woolf’s place-conscious narratives, respectively Howards End (1910), The Rainbow (1914), and Mrs Dalloway (1925) reflect an ...
    • From Ignorance to Experience: Epistemology and Power in Katharine Burdekin’s Swastika Night, Anthony Burgess’s The Wanting Seed and P. D. James’s The Children of Men 

      Atasoy , Emrah (Sosyal Bilimler Enstitüsü, 2019)
      ATASOY, Emrah. “From Ignorance to Experience: Epistemology and Power in Katharine Burdekin’s Swastika Night, Anthony Burgess’s The Wanting Seed and P. D. James’s The Children of Men.” Ph.D. Dissertation, Ankara, 2019. This ...
    • History as a Construct: Caryl Churchill’s Mad Forest, David Edgar’s Pentecost, and David Hare’s Stuff Happens 

      Gültekin, Ömer Kemal (Sosyal Bilimler Enstitüsü, 2018)
      Bu tezin amacı İngiliz politik oyun yazarları Caryl Churchill, David Edgar ve David Hare’ın –sırasıyla Mad Forest (1990; Deli Orman), Pentecost (1995; Hamsin) ve Stuff Happens (2004; Olur Böyle Şeyler) adlı oyunlarında – ...
    • untranslated

      Hybridity in Geoffrey Chaucer’S the Canterbury Tales: Reconstructing Estate Boundaries 

      Yıldız, Nazan (Sosyal Bilimler Enstitüsü, 2015)
      This study of Geoffrey Chaucer’s The Canterbury Tales reads his pilgrims as the hybrids of medieval borderline community, created by social mobility. Thus, drawing on Bhabha’s postcolonial concepts of hybridity, in–betweenness, ...
    • In-Betweennes in Matthew Arnold's Poetry 

      Küçükboyacı, Uğur Ergin (Sosyal Bilimler Enstitüsü, 2019)
      This study concentrates on the inherent, yet paradoxical relationship surrounding the concept of inbetweenness and human ritualization within Matthew Arnold’s poetry, which is a characteristic example of the fragmentary ...
    • untranslated

      Individuals Oppressed by Society: Rupert Thomson's "Divided Kingdom," Kazuo Ishiguro's "Never Let Me Go," and Jasper Fforde's "Shades Of Grey." 

      Şentürk, Emine (Sosyal Bilimler Enstitüsü, 2015)
      Dystopian fiction is a genre which critically portrays an oppressive society with its mostly totalitarian governmental system. This dissertation analyses Rupert Thomson's Divided Kingdom (2005), Kazuo Ishiguro's Never Let ...
    • “Into A Wyld Forest”: The Forest As An Ideological Space In Middle English Metrical Arthurian Romances 

      Pekşen Yakar, Azime (Sosyal Bilimler Enstitüsü, 2019-07-30)
      The aim of this dissertation is to analyse the forest employed in Middle English metrical Arthurian romances as an ideological space. Through examining the Arthurian knights’ and the non-knights’ adventures, challenges, ...
    • Medieval Self-Fashioning: Identity Performances in Chaucer’S Canterbury Tales 

      Öğütcü Bayıltmış, Oya (Sosyal Bilimler Enstitüsü, 2016)
      The fourteenth century was a period of transformation, in which the social, political, economic and cultural changes led to changes in the social hierarchy of medieval England. These changes also influenced the way medieval ...
    • Medieval Self-Fashioning: Identity Performances in Chaucer’s Canterbury Tales 

      Bayıltmış Öğütücü, Oya (2016-03-02)
      The fourteenth century was a period of transformation, in which the social, political, economic and cultural changes led to changes in the social hierarchy of medieval England. These changes also influenced the way medieval ...
    • untranslated

      North and South, Dickens’s Great Expectations and Hardy’s Jude the Obscure: A Dialectical Social Criticism 

      Öğünç, Ömer (Sosyal Bilimler Enstitüsü, 2015)
      Elizabeth Gaskell, Charles Dickens and Thomas Hardy in their novels North and South (1855), Great Expectations (1861) and Jude the Obscure (1895), respectively, represent the conflict between the individuals and society ...
    • Orientalist Representation of the East and the Saracens in Middle English Romances 

      Belenli, Ali (Sosyal Bilimler Enstitüsü, 2018)
      The aim of this dissertation is to present the identity creation process of the West through the non-Arthurian Middle English romances of the Middle Ages in line with Edward Said’s theory of Orientalism. In the Middle Ages, ...
    • Orientalist Representation of the Saracens and the East in Middle English Romances 

      Belenli, Ali (Sosyal Bilimler Enstitüsü, 2018)
      The aim of this dissertation is to present the identity creation process of the West through the non-Arthurian Middle English romances of the Middle Ages in line with Edward Said’s theory of Orientalism. In the Middle Ages, ...
    • "Out of the Maze of Dualisms": Posthuman Space in Mario Petrucci and Alice Oswald's Poetry 

      Erkoç, Seçil (Sosyal Bilimler Enstitüsü, 2020-07-23)
      In the light of recent theories of posthumanism that promote a non-anthropocentric perspective, this study examines the poems of contemporary British poets Mario Petrucci and Alice Oswald and argues that they write posthuman ...
    • Posthuman Bodies in Kazuo Ishiguro’s Never Let Me Go, Indra Sinha’s Animal’s People, and Justina Robson’s Natural History 

      Kümbet, Pelin (Sosyal Bilimler Enstitüsü, 2017)
      Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History ...
    • Posthuman Ecologies in Twenty-First Century Short Animations 

      Ağın Dönmez, Başak (Sosyal Bilimler Enstitüsü, 2015)
      Defining the animated film genre as a posthuman environment itself, this dissertation strategically employs six short animations, namely, Yousif Al-Khalifa s End of an Era (2011), Steve Cutts s Man (2012), James Lee s ...
    • Postnatural Environments: Literary Cartographies of Pollution in Jim Crace’s The Pesthouse, John Burnside’s Glister, and Joseph D’Lacey’s Garbage Man 

      Yazgünoğlu, Kerim Can (Sosyal Bilimler Enstitüsü, 2018-06-07)
      Drawing attention to the dark side of nature-culture interactions, this dissertation addresses the question of what comes after nature by exploring how toxicity signals the end of pristine, untouched nature, and how nature ...
    • Raymond Williams's “Structures of Feeling” and “Elements of Residual-Emergent-Dominant” as Reflected in the Ethical Formations of the Eighteenth Century: Sarah Fielding’s The Adventures of David Simple, Volume the Last, Oliver Goldsmith’s The Vicar of Wakefield, Laurence Sterne’s A Sentimental Journey Through France and Italy and Henry Mackenzie’s The Man of Feeling. 

      Çolak, Olcay (Sosyal Bilimler Enstitüsü, 2017)
      This dissertation looks at the eighteenth-century British sentimental novel tradition as part of a cultural framework in which rivalling ethical theories of the period are represented in a flux of negotiations. Raymond ...
    • Re-writing Shakespeare in the Twentieth Century: Edward Bond’s Lear, Arnold Wesker’s The Merchant and Howard Barker’s Gertrude-The Cry in Socio-Historical Context 

      Özmen, Özlem (Sosyal Bilimler Enstitüsü, 2018-07)
      This study examines re-writings of Shakespeare in British drama, Edward Bond’s Lear (1971), Arnold Wesker’s The Merchant (1976) and Howard Barker’s Gertrude-The Cry (2002) in relation to the socio-political, historical and ...
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