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Küçük Resim

The Use of Myth, the Supernatural and the Gothic in John Keats’s Poetry 

Kirpikli, Deniz (Sosyal Bilimler Enstitüsü, 2013)
As a result of the changes England experienced at the end of the eighteenth century, Romanticism emerged as a new literary movement. Under the revolutionary influences of the period, the Romantic poets ...
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Hybridity in Geoffrey Chaucer’S the Canterbury Tales: Reconstructing Estate Boundaries 

Yıldız, Nazan (Sosyal Bilimler Enstitüsü, 2015)
This study of Geoffrey Chaucer’s The Canterbury Tales reads his pilgrims as the hybrids of medieval borderline community, created by social mobility. Thus, drawing on Bhabha’s postcolonial concepts of hybridity, in–betweenness, ...
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Animals in Saki's Short Stories within the Context of Imperialism: A Non-Anthropocentric Approach 

Balcı, Adem (Sosyal Bilimler Enstitüsü, 2014)
This thesis examines how the late Victorian and Edwardian British short story writer Hector Hugh Munro (1870-1916), better known by his penname Saki, opposes the dominant imperial discourse of his period and how he criticises ...
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Robbing the Source Text of Its Authority: The Robin Hood Story as Dialogic Intertext 

Koparal, Çağrı (Sosyal Bilimler Enstitüsü, 2015)
An easily recognized story in contemporary global culture, the famous English folk legend of Robin Hood has been frequently reproduced through cinematic and literary adaptations from the thirteenth century up to the present. ...
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Masculinities from the Libertine to the Dandy in the Comedy of Manners: GeorgeEtherege’s The Man of Mode, Oliver Goldsmith’s She Stoops to Conquerand Oscar Wilde’s Lady Windermere’s Fan 

Horzum, Şafak (Sosyal Bilimler Enstitüsü, 2015)
The aim of this study is to examine the historical evolution of the British aristocratic and upper-class masculinities from the Restoration period to the late-Victorian era with respect to the theories of men and masculinities ...
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Blameth Nat Me: Popular Resistance and Chaucer's Women in His Fabliaux 

Pekşen, Azime (Sosyal Bilimler Enstitüsü, 2013)
The aim of this thesis is to examine through Fiske s popular culture theory how Chaucer s women in his fabliaux as figures of resistance avert their inferiority and how they subvert their subordination to their empowerment ...
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From Middle-earth to the Real World: J. R. R. Tolkien’s the Hobbit, the Lord of the Rings, and the Silmarillion 

Ersözlü, Azize Ahu (Sosyal Bilimler Enstitüsü, 2013)
Fantasy has long been regarded as an antagonistic genre to realism, and held in contempt because it fails to represent reality. However, despite its departure from consensus reality, fantasy is an equally effective way of ...
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Iolent Mothers in Marina Carr‟s Plays: The Mai, PortiaCoughlanand by the Bog of Cats.... 

Vural, Kübra (Sosyal Bilimler Enstitüsü, 2015)
From the 1990s onwards, the depiction of motherhood on the Irish stage has become more intensified as the dramatists began to stress the psychology of mother characters overtly. Among the contemporary Irish playwrights, ...
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A Lacanian Reading of Angela Carter's the Infernal Desire Machines of Doctor Hoffman and Nights at the Circus 

Telorman, Yağmur (Sosyal Bilimler Enstitüsü, 2014)
The aim of this study is to examine Angela Carter s The Infernal Desire Machines of Doctor Hoffman and Nights at the Circus with regard to the Lacanian concepts of three Orders, which are the Imaginary, the Symbolic and ...
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Satiric Representations of Violence in Martin McDonagh’s the Beauty Queen of Leenane, a Skull in Connemara and the Lieutenant of Inishmore 

Yelmiş, Imren (Sosyal Bilimler Enstitüsü, 2014)
The 1990s have been of utmost importance for Ireland and the Irish as this decade ischaracterised by a great diversity of problems: economic problems, unemployment andmigration which came as a result of these problems, ...
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