Seramik Form ve Yüzeylerde Resimsel Anlatımlar ve İmgeler
İnan, Hasan Basri
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Within the context of this study, the application of techniques in painting and ceramic art are examined. In addition to tradition in ceramic forms,different material(oil, varnish, ecco pigment acetate pen, powder paint, water color) and include new techniques that are blended with these meterials and interdisciplinary studies aimed to be put forward. The applications are integrated on the glazed and unglazed surfaces with techniques and materials used in painting. Forms and the images to be transferred to the surfaces are created from the rooms that have been inhabited and being part of life sections, people and the fences located in these spaces. The surfaces have been constructed to provide an eye-to-eye contact between the observer and these items and lead the observer to a long journey; may cause some memories in the memory of Him to be repeated for a short period of time. Work These Works are in the form of the integration of the form and the content behind form. Each piece of form and components have been intended to carry a content in itself, so that the components are integrated in a non-decompositional and irreducible way. “Fence”s is also one of these items and therefore must be shaped with built form, should be considered as a plastic component. “Fence”s located in the form, sometimes represents the person who built it, whereas sometimes takes its place as a images showing its abandonment.