Now showing items 1-20 of 152

    • Antik Dönem Mitolojilerinde Ahlâki Kötülüğün Görsel Yansımaları 

      Koç, Deha (Güzel Sanatlar Enstitüsü, 2020-09-15)
      Mythology is the whole myth that has made sense and shaped the life of humanity for millennias. The person who has been trying to make sense of himself and his environment since his existence, has integrated the various ...
    • Başkalaşmış Hayvan Resimleri 

      Sezer, Emrah (Güzel Sanatlar Enstitüsü, 2014)
      This report consists of four sections.Section one emphasizes the relations between human and animals in mythology. The study in this section focuses on the environmental and cultural effects on perception of animals by ...
    • Beden Erk İlişkisi 

      Laboç, Orhan (Güzel Sanatlar Enstitüsü, 2019)
      This research aims to examine the reflections of ideological state apparatuses (such as continous surveillance, domination, lockdown, etc.) applied during the periods of political power on the concept of body by centering ...
    • Beden ve Benlik İlişkisi Üzerine Resimsel Çözümlemeler 

      Tunçgöl, Zeynep Şule (Güzel Sanatlar Enstitüsü, 2020)
      The aim of the study is to examine the relationship between body and self and examine them in the art of painting and to show that these concepts can be expressed in pictorial ways. The research was created within the scope ...
    • 'Belirsizlik' Kavramı Ile Soyut Sanat İlişkisi Üzerine Görsel Çözümlemeler 

      Yılmaz, Barış (Güzel Sanatlar Enstitüsü, 2013)
      Uncertainty is what humans encounter in response to any question asked with regards to existence. It is dominant in everything. The human who asks questions to discover oneself as well as his her environment, faces a major ...
    • Bir Bellek İmgesi Olarak Kuyu 

      İlge, Rebuar Rezzak (Güzel Sanatlar Enstitüsü, 2020-02-04)
      The installation series titled Bîr, which is discussed in this study, is based on the relationship between image and language, and since this word which means memory also corresponds to the word well, the installations ...
    • Ben, Bellek: İmge 

      Mercan, Aslı Işıksal (Güzel Sanatlar Enstitüsü, 2014)
      Artistic approaches which exist in the historical process has been changed within their century s dynamics. We have witnessed an adventure of evaluation from modernism to post modernism in this century. One of the changing ...
    • Beton Dünya 

      DEMİR, Yunus (Güzel Sanatlar Enstitüsü, 2020)
      The aim of my survey is to Show the concrete barrier which are placed in frond of munipical buildings by law administrator. While the situation of "concrete mass" in the cities we live in is obvious, the decoration of the ...
    • Bezeme ve Bezenen Kadın Figür Kurgusu 

      Keleşoğlu, Meral (Güzel Sanatlar Enstitüsü, 2019-08)
      ORNAMENTATION AND THE CONSTRUCT OF ORNAMENTED WOMAN Supervisor: Associate Prof. Zuhal BAYSAR BOERESCU Author: Meral KELEŞOĞLU ABSTRACT The phenomenon of ornamentation, with its function serving impulsive and sensory ...
    • Bireyin Duygu Haritası 

      Tezcan, Seda (Güzel Sanatlar Enstitüsü, 2020)
      Human being is an entity that may have to face a number o dualities as a necessity and as a result of its position in society. Individuality of human as its social existence and humanity as its mental existance may diverge ...
    • Bireysel ve Kolektif Bellek Aralığında Sanatta Kimlik Okumaları 

      Bayraktar, Gülşah (Güzel Sanatlar Enstitüsü, 2017)
      The widespread use of the notion of memory in contemporary art creates a fresh language that arises from the artist's need to read about individualistic and societal needs. Using individual an collective memory as a point ...
    • Boşluk ve Devinim Üzerine İçsel Yorumlamalar 

      Topala, Gözde Elif (Güzel Sanatlar Enstitüsü, 2018)
      Emptiness is considered not as a form, but also as a concept. Emptiness is handled in different ways by philosophers of each era. As a result, emptiness doesn’t have only one and certain definition. In this report, emptiness ...
    • Boya Kolajları 

      Günler, Canay (Güzel Sanatlar Enstitüsü, 2019)
      From the past to the present, many artists have tried to analyze the problems caused by the incident, experience and observation that stimulate the emotion center in the brain with different tools and materials. In the art ...
    • Çoklu 'Sanat Kimliği' 

      Oğuz, Erdem (Güzel Sanatlar Enstitüsü, 2014)
      The statement Multiple Art Identity is chosen for naming an allegory, set forth in context of this thesis for comprehending, discussing and exemplifying the attained conclusions of the question, why the art of today came ...
    • Deneysel Otoportre Çözümlemeleri 

      Ateş, Özlem Kaçmaz (Güzel Sanatlar Enstitüsü, 2013)
      Portrait is defined as "a painting, photograph, etc. representation of a person" inMeydan Larousse (Meydan Larousse-C10-287). Self-portrait is when the artistchooses themself as the subject of the portrait.Portrait and ...
    • Dişil İmge Olarak Kadın 

      Gücer, Sedef (Güzel Sanatlar Enstitüsü, 2020)
      Women who have been struggling since the 1790’s started the feminist movement. With this movement, the image and body of woman got started to be used more in the foreground with social problems. The image of woman ...
    • Diyalektik Bağlamda Mekamorfi ve Anatomi 

      Batur, Rıfat (Güzel Sanatlar Enstitüsü, 2020)
      Artificial and natural forms are the source of the existence of art. In particular, these two structures are the anatomical forms that we can define as the machine which are tools for understanding and transforming nature ...
    • Doğa ve Ekolojik Sanatın Bütünleşik İlişkisi 

      Sarıoğlu Demirörs, Asiye (Güzel Sanatlar Enstitüsü, 2019)
      ABSTRACT Demirörs Sarıoğlu, Master Thesis on The Integrated Relationship of Ecological Art and Nature, Ankara, 2019 The negative effects of industrialization and technology have caused problems affecting the ecological ...
    • Doğa ve Nesneleri Arasi Yeni Düzen 

      Jafari Yaghin, Yalda (Güzel Sanatlar Enstitüsü, 2017-01-10)
      Painting meant transfering the natural which has tree dimension into two-dimensional surface as a three dimensional. Actually, the painter's aim was to confront viewer with the real world. Instead of considering toile ...
    • Doğu ve Batı Resim Sanatında Zamanın Simgelenmesi 

      Mozhaeva, Tatiana (Güzel Sanatlar Enstitüsü, 2015)
      As a multi-faceted phenomenon, time is closely related to culture, society, and religion. Linked to crucial dichotomies between faith and reason, the spiritual and the materialistic, the objective and the subjective, the ...