Now showing items 1-20 of 85

    • Başkalaşmış Hayvan Resimleri 

      Sezer, Emrah (Güzel Sanatlar Enstitüsü, 2014)
      This report consists of four sections.Section one emphasizes the relations between human and animals in mythology. The study in this section focuses on the environmental and cultural effects on perception of animals by ...
    • 'Belirsizlik' Kavramı Ile Soyut Sanat İlişkisi Üzerine Görsel Çözümlemeler 

      Yılmaz, Barış (Güzel Sanatlar Enstitüsü, 2013)
      Uncertainty is what humans encounter in response to any question asked with regards to existence. It is dominant in everything. The human who asks questions to discover oneself as well as his her environment, faces a major ...
    • Ben, Bellek: İmge 

      Mercan, Aslı Işıksal (Güzel Sanatlar Enstitüsü, 2014)
      Artistic approaches which exist in the historical process has been changed within their century s dynamics. We have witnessed an adventure of evaluation from modernism to post modernism in this century. One of the changing ...
    • Bireysel ve Kolektif Bellek Aralığında Sanatta Kimlik Okumaları 

      Bayraktar, Gülşah (Güzel Sanatlar Enstitüsü, 2017)
      The widespread use of the notion of memory in contemporary art creates a fresh language that arises from the artist's need to read about individualistic and societal needs. Using individual an collective memory as a point ...
    • Boşluk ve Devinim Üzerine İçsel Yorumlamalar 

      Topala, Gözde Elif (Güzel Sanatlar Enstitüsü, 2018)
      Emptiness is considered not as a form, but also as a concept. Emptiness is handled in different ways by philosophers of each era. As a result, emptiness doesn’t have only one and certain definition. In this report, emptiness ...
    • Çoklu 'Sanat Kimliği' 

      Oğuz, Erdem (Güzel Sanatlar Enstitüsü, 2014)
      The statement Multiple Art Identity is chosen for naming an allegory, set forth in context of this thesis for comprehending, discussing and exemplifying the attained conclusions of the question, why the art of today came ...
    • Deneysel Otoportre Çözümlemeleri 

      Ateş, Özlem Kaçmaz (Güzel Sanatlar Enstitüsü, 2013)
      Portrait is defined as "a painting, photograph, etc. representation of a person" inMeydan Larousse (Meydan Larousse-C10-287). Self-portrait is when the artistchooses themself as the subject of the portrait.Portrait and ...
    • Doğa ve Ekolojik Sanatın Bütünleşik İlişkisi 

      Sarıoğlu Demirörs, Asiye (Güzel Sanatlar Enstitüsü, 2019)
      ABSTRACT Demirörs Sarıoğlu, Master Thesis on The Integrated Relationship of Ecological Art and Nature, Ankara, 2019 The negative effects of industrialization and technology have caused problems affecting the ecological ...
    • Doğa ve Nesneleri Arasi Yeni Düzen 

      Jafari Yaghin, Yalda (Güzel Sanatlar Enstitüsü, 2017-01-10)
      Painting meant transfering the natural which has tree dimension into two-dimensional surface as a three dimensional. Actually, the painter's aim was to confront viewer with the real world. Instead of considering toile ...
    • Doğu ve Batı Resim Sanatında Zamanın Simgelenmesi 

      Mozhaeva, Tatiana (Güzel Sanatlar Enstitüsü, 2015)
      As a multi-faceted phenomenon, time is closely related to culture, society, and religion. Linked to crucial dichotomies between faith and reason, the spiritual and the materialistic, the objective and the subjective, the ...
    • Ehsan Bir Sanatçının Hayatı ve Sanatının Öyküsü 

      Khajeh, Ehsan Ghanbarzad (Güzel Sanatlar Enstitüsü, 2015)
      The scope of this study is personal experiments in art and the relationships between society and artist. Experiments of an artist and those experiments that revives in his her artworks are taken into consideration within ...
    • Entropinin Görsel Sanattaki İzi 

      Baheri Rad, Sasan (Güzel Sanatlar Enstitüsü, 2018-01-23)
      ABSTRACT Sasan Baheri Rad, “Traces of Entropy in Visual Arts” Graduate Thesis, Ankara 2018. The common take on art nowadays, in contrast to modernism – and prior understandings of art – is in more cooperation with other ...
    • Erotik Resimde Ahlak ve Şiddet İmgeleri 

      Yüce, Sebahattin (Güzel Sanatlar Enstitüsü, 2015)
      In this study the concept of morality will be approached on the bases of; nudity,coveredness, and their relationship with sexuality; the place of morality in humanrelations and violence, which appears in some situations, ...
    • Eşcinsel İmgenin İnşası 

      Kavas, Ahmet (Güzel Sanatlar Enstitüsü, 2014)
      The homosexuality represents a different character within the era, in which the society gained many opportunities due to free city-states in ancient Greece period.The relation between the Men was defined with religious ...
    • Gebelik ve Bebek İmgesi 

      Sadegh Barenji, Nasim (Güzel Sanatlar Enstitüsü, 2016-12-27)
      SADEGH BARENJİ, Nasim, Pregnancy and Baby İmage, post graduate thesis, Ankara, 2016. Maternal and maternal feelings, specific to motherhood, are the issues that affect all societies from the past to the present. These ...
    • Göç Hikayeleri 

      Mardani, Aligholi (Güzel Sanatlar Enstitüsü, 2018)
      Migration has been a matter of need for humanity which causes its development. Being a migrant is a nostalgic feeling and looking at a utopic identity from a different location. The migrant lives within darkness and light ...
    • Görsel Yapılanmada 'Diyalektik İmge' 

      Aslan, Engin (Güzel Sanatlar Enstitüsü, 2017-02)
      ABSTRACT ASLAN, Engin. The Dialectical Image In Visual Structuring, Doctor Of Fine Arts in Thesis, Ankara, 2017. Throughout the concept of dialectical image, Benjamin opens up a wide range of different ways of thinking ...
    • Görüntü ve Gerçeğin Yeniden Boyutlandırılması 

      Pire, Deniz (Güzel Sanatlar Enstitüsü, 2018)
      Throughout the history of humanity, humankind’s relation with “reality”, its questions, curiosities, influences developed its ability to practice science, philosophy and art, and enhanced its thought system. Researchs in ...
    • Bir Gösterme Biçimi Olarak Saçma 

      Altın Soykan, Merve (Güzel Sanatlar Enstitüsü, 2016)
      The aim of this work, titled "Absurd as a Form of Representation," is to examine the relationship between art and the absurd notion that is yet to be dealt with, and to establish new dialogues with this particular reality ...
    • Gövdenin Açık Halleri 

      Muraz, Özlem (Güzel Sanatlar Enstitüsü, 2018)
      Gender is a definition of identity that shapes our lives according to our physiology, which we have acquired later on how to determine our life. Some of the inequalities that we are exposed to because of our gender ...