Browsing Müzik Teorileri Bölümü Tez Koleksiyonu by Title
Now showing items 1-10 of 10
-
13.-18. Yüzyıllar Arasında Makamsal Müzik Teorisi Anlayışının Değişimi
(Güzel Sanatlar Enstitüsü, 2019)As is known, the modern “maqam theory” of Ottoman/Turkish music tradition is based on the concept of perde (standardized note names). In this study, we concentrated on the music-theoretical manuscripts written before the ... -
Beethoven Op.30, No.2: Tarihsel Ve Teorik Zeminde Bir Performans Analizi Örneği Umut Can Ergörün Yüksek Lisans Tezi Ankara,
(Güzel Sanatlar Enstitüsü, 2018)Music performance analysis is a discipline which examines live or recorded music. Interpretation differences on the same work involve a series of details which cannot be explained verbally . This caused interpretation ... -
Beethoven'ın Orta Dönem Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi
(Güzel Sanatlar Enstitüsü, 2018)AYDIN, Zeynep. Thematic Analysis of Development Sections in Ludwig Van Beethoven’s Middle Period Piano Sonatas, M.Sc. Thesis, Ankara, 2018. This study is an analytical examination of the thematic structure of Development ... -
Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ... -
Bir Form İkilemi: Brahms , Opus 83, IV
(Güzel Sanatlar Enstitüsü, 2015)Possibly the most disputed feature which even keeps theorists in a dilemma, on Brahms’s second piano concerto, opus 83, is the formal structure of the last movement, Allegretto grazioso: “Sonata-rondo or sonata-allegro?” ... -
Johannes Brahms'ın Orkestra Eserlerinde Sonlanma Karakteristiği
(Güzel Sanatlar Enstitüsü, 2020)The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ... -
Op. 101, 106, 109, 110 Ve 111’den Hareketle, Beethoven’ın Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi
(Güzel Sanatlar Enstitüsü, 2018)This study is an analytical review of the thematic structure of Development sections of first movements of Ludwig van Beethoven’s all piano sonatas in the Sonat- Allegro form with reference to Late Piano Sonatas. In the ... -
Bir Saygun İmzası: [3,5,3]
(Güzel Sanatlar Enstitüsü, 2016-01-19)According to the available data, the structures [3,5,3], [3,3,5] and [5,3,3] which we identified that Ahmed Adnan Saygun used in his Suite, dated 1931-1932, are repeated many times in a total of his 41 works including the ... -
Saygun Müziğinde Makam Soyutlamaları: Piyano Konçertosu, OP. 34, I
(Güzel Sanatlar Enstitüsü, 2020-11-10)It is clear that every composer, who aims to write new music through using a traditional component, will not authentically use the material and will involve various reflections, impressions, in other words, abstractions ... -
Bir Tutti'ye Motif-Yapı Temelli Analitik Bakış: Gershwin, Fa Majör Piyano Konçertosu, I
(Güzel Sanatlar Enstitüsü, 2019-08)In music, the motif, which can be defined as the smallest building unit with the thematic identity of a work and repeated at many points of the work to which it is related, in the same or differentiated forms, is a vital ...
