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Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)
Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ...
Johannes Brahms'ın Orkestra Eserlerinde Sonlanma Karakteristiği
(Güzel Sanatlar Enstitüsü, 2020)
The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ...