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Bir Form İkilemi: Brahms , Opus 83, IV
(Güzel Sanatlar Enstitüsü, 2015)
Possibly the most disputed feature which even keeps theorists in a dilemma, on Brahms’s second piano concerto, opus 83, is the formal structure of the last movement, Allegretto grazioso: “Sonata-rondo or sonata-allegro?” ...
Johannes Brahms'ın Orkestra Eserlerinde Sonlanma Karakteristiği
(Güzel Sanatlar Enstitüsü, 2020)
The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ...