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A Freudian Reading of Harold Pinter's Early Plays: Neurotic Characters in The Room, The Birthday Party, and The Caretaker
(Sosyal Bilimler Enstitüsü, 2023)
As a post-war dramatist, Harold Pinter (1930-2008) reflects the effects of trauma and suffering of the period following the Second World War through his enigmatic early plays by presenting characters who seemingly fall ...
“The Crisis of Utopia” in Edward Bond's the War Plays: Red, Black and Ignorant, The Tin Can People, and Great Peace
(Sosyal Bilimler Enstitüsü, 2023-07-09)
The aim of this dissertation is to explore how Edward Bond’s (1934- ) trilogy, The War Plays (1984) – comprising Red Black and Ignorant (1984), The Tin Can People (1984), and Great Peace (1985) – reflects the transformation ...
“Representation and Evolution of the Monster and Monstrosity in the Late Victorian and Early Edwardian Gothic Novel”
(Sosyal Bilimler Enstitüsü, 2023-07-11)
In their origin, monsters are signs of difference and a warning. As the embodiment of difference, monster stands as the signifier of the other, demarcating those whom societal norms deem dangerous or deviant. Providing a ...
Evolvement of the Changeling Figure in the Selected Elizabethan and Jacobean Plays
(Sosyal Bilimler Enstitüsü, 2023)
Changelings are terrorising figures in the beliefs and superstitions of the medieval period. These awe-inspiring figures of the fairy lore were believed to be fairies or inanimate objects left behind after a healthy infant ...
A Foucauldian Reading of the Criminal Patient in Peter Shaffer’s Equus and the Psychiatric Prisoners in Martin McDonagh’s The Pillowman
(Sosyal Bilimler Enstitüsü, 2023)
DANESH, Aram. A Foucauldian Reading of the Criminal Patient in Peter Shaffer’s Equus and the Psychiatric Prisoners in Martin McDonagh’s The Pillowman, MA Thesis, Ankara, 2023.
This thesis aims to make a Foucauldian ...
