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The Changing Face of Dystopia Represented in George Orwell’s Nineteen Eighty-Four and Terry Gilliam’s Brazil: A Cultural Materialist Study
(Sosyal Bilimler Enstitüsü, 2019)
One of Raymond Williams’ biggest contributions to the field of cultural studies is his development of cultural materialism and his introduction of a new way of thinking historically about culture. Describing culture as “a ...
Suppression of Sexuality and Gender in Dystopias: George Orwell’s Nineteen Eighty-Four, Anthony Burgess’s The Wanting Seed and Iain Banks’s The Wasp Factory
(Sosyal Bilimler Enstitüsü, 2017)
Authoritarian and totalitarian systems are built on the collective conscience and
obedience of their subjects. With the object of securing the continuity of the dominant
ideology, these systems create obedient masses and ...
Architectural Psychology in Utopias/Dystopias: William Morris's News from Nowhere, George Orwell's Nineteen Eighty-Four and J.G. Ballard's High-Rise
(Sosyal Bilimler Enstitüsü, 2022)
Perusing three utopian/dystopian novels set in London, namely, William Morris’s News from Nowhere (1891), George Orwell’s Nineteen Eighty-Four (1949), and J.G. Ballard’s High-Rise (1975), this dissertation scrutinises the ...
“The Crisis of Utopia” in Edward Bond's the War Plays: Red, Black and Ignorant, The Tin Can People, and Great Peace
(Sosyal Bilimler Enstitüsü, 2023-07-09)
The aim of this dissertation is to explore how Edward Bond’s (1934- ) trilogy, The War Plays (1984) – comprising Red Black and Ignorant (1984), The Tin Can People (1984), and Great Peace (1985) – reflects the transformation ...
