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Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)
Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ...
13.-18. Yüzyıllar Arasında Makamsal Müzik Teorisi Anlayışının Değişimi
(Güzel Sanatlar Enstitüsü, 2019)
As is known, the modern “maqam theory” of Ottoman/Turkish music tradition is based on the concept of perde (standardized note names). In this study, we concentrated on the music-theoretical manuscripts written before the ...
Bir Tutti'ye Motif-Yapı Temelli Analitik Bakış: Gershwin, Fa Majör Piyano Konçertosu, I
(Güzel Sanatlar Enstitüsü, 2019-08)
In music, the motif, which can be defined as the smallest building unit with the thematic identity of a work and repeated at many points of the work to which it is related, in the same or differentiated forms, is a vital ...