The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ...

It is clear that every composer, who aims to write new music through using a traditional component, will not authentically use the material and will involve various reflections, impressions, in other words, abstractions ...

Coda can be described as "the part added to the end of a piece or a movement to strengthen the feeling of ending after a work or chapter” and one of the most important forms that Coda used in effectively is the ...

In this study; a reductive analysis which roots its fundamental approach and terminology in Schenkerian Analysis was developed and applied on five works given in maqam rast by the composers of the peak era of Ottoman-Turkish ...